A series of online discussions between CML members about issues that affect them. Join them live every week on Wednesday: Los Angeles 10 am, New York 1 pm, UK 6 pm, Western Europe 19:00, India 10:30 pm (times may vary when countries transition to/from summer time). You'll get to see the full unexpurgated version then! :-)
Not all discussions are recorded; not all that are recorded are posted — another reason to tune in live.
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Cinematographers rambling about how to use any digital camera as a webcam
2023-11-01: FilmLight’s Digital Chromogen
2023-05-03: Post-NAB Discussion, part II
2023-04-26: A Post-NAB Discussion
2023-01-11: Avatar: The Way of Underwater
2022-11-16: The Odyssey 7Q+ in 2022
2022-10-26: What Camera to Buy?
2022-10-12: Super8 Music Videos: Tales From the Inside
2022-09-21: Fujifilm X-H2 and X-H2S cameras
2022-08-10: Accurate Color, Panaluxe, and Direct Scene-Referred Color
2022-06-22: ALEXA 35, and more...
2022-06-08: Using the Zone System for video / cinema
2022-05-18: David Leitner & Mark Forman review NAB 2022
2022-04-20: Blackmagic announcements, NAB, FCP, and more
2022-03-23: Multi-Camera Interview Framing
2022-03-16: LED Walls and Volumes
2022-03-02: The GH6, FX3, & Similar Cameras; the Revolution in Lighting
2022-02-23: Shooting Film (Etc.)
2022-02-16: Multiple In-Camera Colour Systems
2022-02-09: Lighting Leading Ladies (and/or Main Men)
2022-02-02: Instagram & other Social Media for Marketing & Outreach
2022-01-26: Where Has All The Color Gone?
2022-01-19: Drones (and color, and lighting)
2021-12-22: Color Management Terminology & Practice
2021-10-20: WFO, Ronin 4D, and Lighting
2021-10-13: Working Conditions
2021-10-06: The Role of the Colorist
2021-09-29: Wireless Off-Set Monitoring
2021-09-15: Diversity Dilemmas
2021-09-08: The Business of Cinematography
2021-09-01: Young Cinematographers
2021-08-25: Blackmagic Design URSA Mini Pro 12K
2021-08-18: David Leitner on Filming with the A7Siii
2021-08-11: Mitch Gross: Prolycht and LED Lighting
2021-08-04: Budgeting (and Cameras)
2021-06-30: Why Some Monitors Appear Green
2021-06-23: Field-Modifiable Lenses
2021-06-16: Insurance (among other things)
2021-06-02: Polaroids for Previews?
2021-05-26: How Did Your Door Open?
2021-05-19: Handheld Camera/Lens Combos
2021-05-12: In-the-Moment Solves
2021-05-05: Cliches and Rules?
2021-04-28: Ira Tiffen on Filters in the Digital Era
edited to remove faffing about while dealing with screen-sharing hiccups
2021-04-07: COVID and Work, part II
2021-03-31: Alternative Cameras
2021-03-24: Virtual Production
2021-03-10: Steadicam, or Gimbal, or…?
2021-02-24: Natural or Artificial Lighting?
slightly edited from the live version to protect the guilty :-)
Cinematographers or animators or... 10th February 2021
slightly edited from the live version to protect the guilty :-)
Image Display Colour in many ways 3rd February 2021
Low Light Why 27th January 2021
Virtual Production 13th January 2021
AE AF FilmConvert 9th December 2020
a degree of indiscretion has been edited out from the live event
What crew matters most 2nd December 2020
Any Questions inc IBIS LED arrays 25th November 2020
Virtual Cameraimage 18th November 2020
24th birthday 11th November 2020
Cinematography Future Dinosaurs or Chimps 4th November 2020
Shooting Monochrome 28th October 2020
Do lenses have to be so big? 21st October 2020
BMD 12K Production version results 14th October 2020
Southern Hemisphere Take One 7th October 2020
HDR WCG Displays and Monitoring 30th September 2020
Cinematographers and Colorists 23rd September 2020
ACS what do they need to know? 9th September 2020
Geoff's Rant Redux AC's Focus Lights 2nd September 2020
Covid and Work 19th August 2020
Film School Art School College or not 12th August 2020
Infinity and Beyond! or is 12K Enough? 29th July 2020
Perspective and Perception 22nd July 2020
VLF GFX100 Ninja 1st July 2020
Camera Movement 24th June 2020
Pictures or Pixels Fuck the Numbers 17th June 2020
Dropoff in quality in 2010's 10th June 2020
Lenses Vintage or Shiny New 3rd June 2020
LED lights and the issues facing us with them
CML - ACES for cinematographers, the simple approach and why you need it
CML - storylines and production opportunities in a world of Covid-19
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